Since the launch of her brand REN HAIXI in 2020, the Chinese-born, New York-based designer Haixi Ren has risen to prominence in the world of Haute Couture. You will have seen her work gracing the pages of Vogue, Sports Illustrated or being donned by celebrities on the red carpet. Most notably, Ren was the designer behind the viral lavender dresses worn by sisters Kendall and Kylie Jenner, as well as the sheer black top worn by Billie Ellish in her No.2 Perfume commercial.

There is an ethereal other-worldly allure to her designs, one that elevates her designs from garments to pieces of art. The blend of soft pastel colors and wooly textures almost resemble delicate strokes of paint on a canvas, creating what Ren dubs her “painterly aesthetic”. Her most recent FW24 collection is a perfect representation of Ren’s signature aesthetic, featuring delicate layers of fabric molded onto the model’s body.

However, at the heart of Ren’s work is not just the design excellence, or her skillful use of silhouettes, texture and color, but an unwavering commitment to sustainability. A fashion designer who prioritizes creation rather than production, Ren has revolutionized traditional dress-making techniques to come up with a practice that produces literally no waste.

We recently had the pleasure of interviewing Ren on her journey as designer so far, the importance of zero waste design and her future aspiration.

Can you tell us a little bit about your design journey so far. What influenced you to tackle the textile waste problem in your work?

I started REN HAIXI in 2020 to offer an alternative garment creation process using zero-waste design and development strategies. While working as a designer at major fashion houses in New York City, I became increasingly frustrated with the pervasive textile waste problem. Through relentless research and contemplation, I discovered that the fundamental flaws lie within the global fashion supply chain. Most brands adhere to a system that inevitably results in waste. Specifically, traditional cut-and-sew methods produce fabric scraps as a byproduct. Multiple samples, including muslin, prototypes, showroom samples, and TOP samples, are created before a style goes into production, with many of these samples and canceled styles ultimately ending up in landfills. Additionally, there are minimum order requirements for raw materials, forcing brands to order more than needed to qualify for wholesale prices. Factories also have minimum production requirements, leading to unsold garments that create financial burdens and significant waste.

Driven by a strong determination to solve these systemic problems, I founded REN HAIXI. My mission is not only to create beautiful products but also to provide a sustainable business model. Growing up in China, I learned to cherish and be grateful for the materials we have, a virtue deeply rooted in my Asian heritage. Finding beauty in discarded materials is poetic to me, and I challenge myself to create wonders using “waste.” My strong belief in fundamentally changing the garment creation process and its supply chain motivated me to start my own business. Ultimately, I am fighting for a more sustainable future for our beloved fashion industry.

What do you believe are the biggest obstacles to wider adoption of zero-waste practices in mainstream fashion?

My commitment to zero waste practices presents unique obstacles, particularly when it comes to scaling up my operations. Much of my work is done in-house to maintain the integrity of these sustainable practices, which can be labor-intensive and time-consuming. Balancing the demand for growth with the principles of sustainability requires constant innovation and dedication. Despite these hurdles, the positive impact and support I receive reinforce my commitment to this path, making every struggle worthwhile.

You have frequently stated that the fashion industry must focus on creating, not producing. What do you think has made the industry so production-centric?

Traditional wholesale business model requires significant SKU counts, a brand needs to create enough products for buyers to select from and create a story on the retail floor. Once a style goes into production, most factories have a minimum, which is a lot for designers especially the ones who are just starting. Lot of garments go into waste without ever hitting the retail floor.

I was particularly fascinated by your SS21 and Capsule collections. Some pieces felt reminiscent of features in nature, such as beds of moss or fields of flowers. Was this intentional? Do you aim to convey specific narratives or themes through each collection?

I aim to convey different ideas and concepts through each collection and yet still manage to stay true to REN HAIXI’s painterly aesthetic. I enjoy my research process, each collection is my reinterpretation of a movement or event happened in the arts. My SS21 collection took inspiration from the philosophies behind pure art, which was first proposed by Clement Greenburg. Similarly to how Greenburg understands a flat canvas, I regard the body as a space to reproduce, redesign, express and analyze an existing garment form. Therefore, I created new textiles, which can be “painted” on the body.

You have previously expressed an interest in branching out to interior design. Are there any elements from your fashion design —such as your unique use of textures and textiles— that you would like to further explore in interior design?

Yes, since my creation process is like sculpting, I believe it would be very interesting to create furniture, wall paper, carpets, and home decor using my textile. By adjusting the amount of embroidery I apply to my textile I can control its stiffness. It would be wonderful to have an array of soft sculpture and shaped furniture pieces with my unique painterly aesthetic.

You started your brand soon after graduating university in 2020 and since then have accomplished so many impressive feats. What advice would you give to young fashion designers looking to make their mark in the industry?

There is no shortcut in fashion. The only way to achieve success is to keep designing and producing enough work, so you can select your best work and build an identity from it. On the other hand, networking is truly valuable when you have something to offer in return, and it should never be viewed as a shortcut to success without putting in the hard work. In the fashion industry, which is inherently community-driven, it’s essential to start building your support system early and continually seek learning opportunities from those you admire

Première Vision Paris is returning to its historical agenda with two complementary and distinct editons: Savoir-faire in February and Innovation&Tech in September. Nearly 30,000 international professionals from 126 countries representing over 13,000 companies, gathered in Paris to find the latest innovations of 1,100 exhibitors from around 40 countries (Italy, France, Spain, Portugal, Japan, UK, Belgium, South Korea, Turkey, China…) 220 international decision-makers took part in the Hosted Guests program, with 1,500 business meetings organized through the Matchmaking program. But, what was really new in the last edition? Enjoy with us the gallery of new developments.

NEW SUSTAINABLE FABRICS AND TEXTILE MATERIALS YOU SHOULD KNOW

As the European Union prepares to introduce a series of regulations to regulate eco-design, with an emphasis on sustainability, recycled content, and recyclability, innovative and responsible alternatives are emerging that integrate circularity into the design process. Get to know the new names we found in the show.

ORGANIC SUPIMA ®

Supima® cotton, whose name is derived from “superior Pima”, accounts for just 1% of Pima cotton production. The trademark was registered in 1954 and applies only to this type of traceable, US-origin cotton. Known for its extra-long fibres, Supima is synonymous with softness, strength, and long-lasting colour. When grown according to organic standards, it combines these premium qualities with cultivation practices free of pesticides, chemical fertilisers, or GMOs, thus preserving soil fertility and reducing the impact on local ecosystems.

WETURN

Weturn transforms the unusable textile waste of fashion and hospitality brands (offcuts, unsold or defective products, dormant stock) into new, recycled, and traceable raw materials. Thanks to a mechanical recycling process based in Europe, these textiles are broken down into fibres, then transformed into yarn or fabric, giving textile waste a second life while reducing the need for new resources.

RECYCLED LEATHER PELINOVA

Pelinova®, an innovative material developed by Recyc Leather and Lenzing, is made by collecting recycled leather fibres from pre-consumer waste, then hydro-projecting them onto a fabric composed of Tencel Lyocell fibres. This unique process creates a soft, flexible, and durable material, while reducing environmental impact. The production of Pelinova® uses 70% less water than traditional leather manufacturing methods and reduces CO₂ emissions.

NEW RECYCLED SYNTHETICS

• EAQUAL® – A polyester recycled using mechanical procedures, composed of 10% marine litter, collected as part of the Seaqual Initiative, and 90% post-consumer PET. The Seaqual® threads contain a DNA tracer, which guarantees the presence of marine plastic collected by the initiative.
• REPREVE® – A range of mechanically recycled polyesters and polyamides, developed from plastic bottles.
• ECONYL® – A regenerated polyamide made from fishing nets, through a process combining mechanical and chemical recycling, capable of retaining its original properties and being recycled multiple times.
• NEW LIFE – A traceable recycled polyester filament, obtained through the mechanical recycling of PET bottles, with no chemical additives.
• Q-NOVA® – A mechanically recycled polyamide.

PEELSPHERE

A supple bio-material, an alternative to PU and leather, made from food-industry waste such as banana or orange peel, coffee, or seaweed. The transformation process is based on non-toxic solvents and bio-sourced adhesives, ensuring reduced energy use, minimized waste, and lower GHG emissions. The material is closed-loop recyclable and dyed using Natural or Oeko-Tex certified dyes.

SHIBATA

Still using agri-food by-products, Shibata offers plant-based dyes made from rice, onion, olive, and even wine extracts. These dyes, which can be applied to synthetic fabrics, are showcased on 100% recycled nylon. Another pigment, BioBlack TX, is derived from FSC-certified wood waste and guarantees full traceability throughout production and distribution. It is available in black printing ink and dye formulations.

SPIBER: Laboratory-Fermented Fibres

Spiber has perfected Brewed Protein technology to develop protein fibres in the laboratory through the fermentation of plant-based ingredients.

The specific components of the materials are analyzed to form a database, and then DNA and amino acid sequences are designed to replicate the characteristics needed for different applications. A fermentation process using micro-organisms then transforms the protein structure into fibres. The resulting polymer is extracted and purified, before being processed into fibre, yarn, or film.

Brewed Protein fibres have been tested to biodegrade in seawater, while Brewed Protein fabrics disintegrate completely in soil.

NOOSA

NOOSA is a polylactic acid (PLA), 100% sourced from sugar and starch derived from corn, sugarcane, and wheat, that are unfit for consumption and free from GMOs. The NOOCYCLE technology is able to separate the NOOSA fibres from all the other components (dyes, additives, coatings, and other fibres), recovering fibres of the same quality as virgin fibres, and creating a closed-loop system.

NANEA

NaNea by Ocean Safe has been developed as a synthetic material designed to avoid releasing persistent microplastics. This biodegradable additive-free fabric breaks down in soil and marine environments and is Cradle to Cradle Gold certified.

Interview with Florence Rousson

Why is craftsmanship the leifmotiv of this edition at Premiere Vision?

As the market is changing at the moment with lots of crises, structural crises as well, I wanted to have this new proposal, the craftsmanship as a specific theme for this edition. We know the model and the proposals the market needs from us. That is why we are always thinking on new positioning for Premiere Vision.

In this edition we have launch a new way to see the trends and the fashion offers, also the trends area is different now, to promote more creativity, more inspiration as well, just to work with the DNA of Première Vision. It was important for us to come back and to have this view for the future also, to reinforce this positioning for the trends part. We worked hard with the fashion team for the inspiration forum, but also for the sourcing forum, to have a new proposal also for the market, with new contents, new conferences. We had a lot of pitches, talks… There were 75 persons coming to share ideas.

75 people, wow!

75, yes. It’s a huge program. It’s important for a brand to come and to find new sourcing solutions within the exhibitors area, inspiration within the trends area, trends forums, and also contents with the conferences. And it was also important being this the first year for me.  It was important just to imagine the scene in a new way, and that’s why we decided just a few months ago as well to move again to September, a date that will be more adaptive for the markets and for the creators. Premiere Vision will have a specific theme on September. It will be very focused on innovation and tech, and will be more open with an inspirational aspect for the beauty industry as well.

So, it is real. You will introduce this beauty section in the show next September…

Yes, this will be new for September. You know that today lots of brands are creating perfumes or products for nail art. They are here. They see this show as an exhibition about what’s going on in fashion, and they need to translate what they see here to the cosmetic industry, to the beauty industry. How can I project the fashion trends to my beauty business? This is what we will try to initiate in September. The idea is to become a fair adapted to the needs of the brands. Our idea is to move, to take into consideration the needs of the brands and to enlarge also our offer in terms of exhibitors, with more innovation, more tech. It will be interesting to develop this part regarding our DNA, to be also more inspirational with new topics in September.

How did the exhibitors and the visitors take this move to September? Is it something that came from them?

Yes. Before Covid, Premiere Vision was held in September. After the results we had during the last edition in July, that was not really positive, we saw it’s a very short time, from February to July, to have all the innovations, there are only 4 months. That’s why we decided to move again in the calendar. It seems to be better for the actors and the fashion brands in 2025.

The importance of evolving

In this edition, we saw more fashion, bags, shoes. Are these sections going to be growing in upcoming exhibition?

Yes. Also adding beauty, it’s going to be like… a lifestyle fair, actually. Of course, always related to fashion. It’s not about diversifying because we want to have more square meters, more visitors. Nowadays it’s not the battle of getting numbers. I have being working for 20 years for Première Vision. The good old time when we had like 70,000 visitors, Germany was represented by 100 exhibitors, this is not happening anymore. So now you have to offer the best from the industry, all the brands, and especially to have an offer where they can understand not only the trends, but get the information, inspiration and some sourcing solutions.

On the other side, they need also to understand what can they source here. They can not afford to come only for inspiration, and this is what we try to do. The idea is to find some topics that are inspirational. But in fact, we have to remain focused. And I think that we have done a great job here for more visibility for the offer this year. My objective is to have the right added value. Not to enlarge the number of exhibitors, of visitors, etc., but to have the right added value for the market, in terms of content, in terms of offer…

But again, we are not going to be a concept store. We want to give some guidance. Because those clients, they are here. Also the automotive industry. We are welcoming many brands: Hyundai, BMW, Mercedes… They are visiting Premiere Vision. They need to understand what’s going on in lifestyle. Where you live, what you wear, etc. It’s a decoding. We are becoming an inspiration and decoding platform to understand the trends coming from the fashion industry.

As you know, Luxiders Magazine is all about sustainable culture. This edition was focused on craftsmanship. Next edition, as you said, it’s going to be more tech focused. Maybe sustainability is going to be part of this tech future?

Yes, sure. Today we have some IA solutions to be more efficient in terms of production and creation of samples. I think that we have to promote also this kind of new solutions that are helpful to develop sustainability. And to renew also the topic about sustainability, which is an important topic for the show as you know.

The Eco-Innovation Seminar was packed.  Since many years we try to find some solutions to be eco-responsible for the fashion industry. But to be 100% sustainable it’s not possible. It’s mission impossible. To be honest. For example for accessories, you cannot really find eco-responsible solutions in zips and metals. It’s not possible. So now we are more open. And I think this is really the next step. To decode and to understand what are eco-innovation solutions in the future. There are some great developments. You met some of our exhibitors. For instance, maybe you saw fiber made of bacteria… But what is the reality of the business in the end? You’ve got innovation which push everything. But you also have the BAU business as usual. So how to leverage? We are here to inspire. To give the latest innovation. With a digital aspect, with a craftsmanship aspect.

It’s interesting to create the link. To take the time also for the designers. To understand what they are doing and how are they working. When you are in a show, it’s important to take the time to share information: problematics, topics etc. To take the time to have discussions. Because when you are at your company, you don’t have the time to think more strategically. It’s like to have more respiration. Dialogue, to talk with each other. It just opens a new direction. There is nothing compared to the inspiration you find here.

The latest edition of MOMAD closed its doors, proving its ability to attract buyers, distributors, and designers from around the world, fostering trade exchanges and creating new business opportunities. Professional visitors from over 55 countries visited the show, reaffirming MOMAD as a crucial trade show for the internationalization and growth of the industry. This success was driven by the presence of 300 brands across various sectors, including sustainable fashion. “La Boutique Consciente” (The Conscious Boutique), a dedicated space for sustainable fashion, was one of the highlights, bringing together designers and brands committed to ethical production and a positive environmental impact. Participating brands included Alba Conde, Brax Feel Good, Faride, Ikikiz, Ildhorit, Innbamboo The Original, Marae, Monika Maxim, Nice Hand, Perpetummobile, Saint James, Sanvin, Tartaruga, Vanó Studio, and Zahati.

15 brands transitioning to sustainability or fully sustainable

Saint James

Based in Normandy, France, Saint James produces garments using natural fibers, primarily wool, but also cotton, linen, and hemp. The entire wool garment manufacturing process, from weaving to finishing, is carried out locally. The traceability of all products is accessible online via QR codes. The brand recycles 96% of its production waste and offers a repair service to extend the lifespan of its garments. Additionally, it promotes workplace integration for people with disabilities. Recognized as a “Living Heritage Company” by the French government, Saint James exemplifies how fashion can preserve traditions, pass down craftsmanship across generations, protect the environment, and create positive social impact. At La Boutique Consciente, Sant James featured two garments: the Matelot Sweater and the Galion Coat. The Matelot Sweater is made of 100% pure virgin wool, spun in Europe, with materials with OEKO-TEX Standard 100, Woolmark, Mulesing-Free Certifications, all France (knitted, cut, and sewn in Saint-James). The Galion Coat is made from 100% merino wool (70% pure virgin wool and 30% recycled wool), spun in France. It has GOTS-certified virgin wool and GRS-certified recycled wool, Mulesing-Free; and it is 100% made in: France (spun and woven in Mazamet, cut and sewn in Ifs).

Brax

Brax is committed to sustainable products that blend style, social responsibility, and environmental protection. Its garments are made from sustainable materials and eco-friendly processes, supported by recognized standards and certifications. Since 2019, Brax has been a member of amfori BSCI, working to reduce the environmental impact of its supply chain, particularly in chemical-intensive processes. This also ensures social due diligence across all production facilities collaborating with Brax. Furthermore, the brand promotes transparency, partner training, and the adoption of eco-friendly alternatives in materials and processes. Through this strategy, Brax aims to conserve natural resources, protect people, and raise awareness about sustainability in fashion. The company presented the  Re Live Circular Denim for men, made in Marocco of 67% organic cotton, 31% recycled cotton and 2% elastane, produced by the Spanish company Tejidos Royo. The Material Certification is “Cotton made in Africa”.

Sanvin

Sanvin is a brand that merges traditional craftsmanship with ethical and environmental values. Each pair of shoes is meticulously handcrafted by skilled artisans using locally sourced leather from Padrón and Villarramiel, certified by the Leather Working Group (LWG). This commitment ensures sustainable processes, such as vegetable tanning, which is environmentally friendly and free from harmful chemicals. At “La Boutique Consciente”, Sanvin presented the Laura Loafer, made of 100% locally sourced leather, 100% vegetable-tanned, with Leather Working Group (LWG) certification. Sanvin makes all their shoes in their artisan workshops in Spain.

Ikikiz

Ikikiz is a unique brand that combines elegance and sustainability for conscious customers. Its main products include kimonos, pants, blouses, dresses, and kaftans, crafted from fabrics such as linen, organic cotton, hemp, Tencel, and 100% recycled materials, promoting environmentally friendly Resort Collections. Most of its garments are one-size, thoughtfully designed to suit various body types. The brand presented a total look 100% made in Turkey composed by the Saga Kimono, 85% cotton, 15% linen with a hand-stamped print by a skilled artisan using the ancient woodblock printing technique.; the Natural Triangle Bralette and Black Palazzo Pants, 85% cotton, 15% linen. All garments are GOTS and Ekoteks (official Turkish certification, equivalent to OEKO-TEX) certified.

PERPETUM MOBILE

Perpetum Mobile is a socially responsible sustainable fashion brand that designs and creates garments and accessories using natural fibers such as cotton, wool, and linen, as well as repurposing fabrics with a history. All its collections are produced with local suppliers and workshops in Bilbao, Spain, promoting fair employment and reducing environmental impact. They presented a total look composed by the Miu Coat, 95% cotton, 5% nettle; OEKO-TEX certified, the Milan Blouse, 100% GOTS certified organic cotton; and the Biblos Skirt-Pants, 100% GOTS certified cotton poplin.

TARTARUGA

Tartaruga represents the perfect balance between sustainability and a relaxed yet sophisticated style with a bohemian essence. Designed in Spain and produced in Portugal, the brand is committed to responsible materials, natural dyes, and traditional processes that honor slow fashion. With over 16 years of dedication, each garment blends vibrant colors, textures, and artisanal knotting techniques, evoking the freedom of the beach club lifestyle, the freshness of a California summer, and the harmony of a zen mood. A collection that guarantees quality, durability, and respect for the environment. They presented the Mariposa Sweatshirt, 100% Cotton with GOTS, OCS, RCS, and OEKO-TEX Standard 100 Class 1 certifications. It is Hand Tie-Dyed with vegetable dyes. The brand also presented  the Relax Pants, 100% Cotton with GOTS, OCS, RCS, and OEKO-TEX Standard 100 Class 1 certifications. Both garments are made in Guimarães and Barcelos, in Portugal.

INNBAMBOO THE ORIGINAL 

Innbamboo is an Italian brand that merges art, nature, and sustainability in every creation. Since 2013, it has focused on eco-friendly materials like bamboo, linen, hemp, and regenerated fibers such as recycled cashmere, offering high-quality products that are hypoallergenic, antibacterial, and breathable. Its 100% Made in Italy production combines Tuscan artisanal tradition with sustainable innovation, bringing to life accessories like its iconic Foulard Bamboo®. In this edition, the brand presents a clothing collection made from bamboo and regenerated cashmere for the upcoming winter. At “La Boutique Consciente” they presented the Scarf Degás, made of 65% Bamboo fabric and 35% Lyocell from Tencel, with OEKO-TEX Standard 100, and VeganOK certifications.

SHUIA SHUIA

Shuia Shuia fuses Moroccan craftsmanship with Spanish design, creating sustainable babouches, sandals, mules, and clogs. Each piece is unique, crafted from recycled rugs and responsible materials, without harming animals or depleting natural resources. With a spirit of exclusivity and commitment, Shuia Shuia embraces conscious luxury. They presented  sandals made in Morocco from recycled leather and local straw and sandals made from discarded carpets, reinterpreted to become a chic complement to every look.

ILDHORIT

Ildhorit is a fashion brand designed and crafted in Málaga, Spain. It creates timeless garments handmade by local seamstresses, ensuring quality and sustainability in every detail. Some of its pieces use eco-responsible materials such as cotton and recycled polyester, working primarily with Spanish suppliers, as well as French and Italian ones. The outfit selected for “La Boutique Consciente” was made from 100% recycled polyester in workshops in Málaga, Spain.

ZAHATI 

With over 100 years of history, Zahati is synonymous with craftsmanship and sustainability. Each piece is handcrafted by expert artisans in Alicante, Spain, using ancestral techniques. The brand is committed to natural materials such as wheat straw, carefully selected from local crops, and cotton accessories, ensuring responsible production with a low environmental impact. Zahati protects the craft tradition by guaranteeing fair working conditions and preserving a unique cultural legacy. All hats featured at “La Boutique Consciente” was made with 100% local straw in artisan workshops in Alicante, Spain.

ALBA CONDE

Alba Conde has integrated ethical and eco-responsible values at the core of its philosophy. The brand increasingly uses sustainable fabrics and promotes responsible production processes that minimize environmental impact. 85% of Alba Conde’s collections are manufactured in La Coruña, Spain, while the remaining 15% (t-shirts and denim) are produced in Portugal, ensuring fair working conditions and reducing the carbon footprint. At “La Boutique Consciente” they presented the Bandera Blouse, 100% Tencel with certifications TUV Austria, OEKO-TEX Standard 100, and GOTS; and the Pizarro Jeans,  78% Oeko-Tex,, Reach Cotton and 2% Elastane. They are made in North Portugal.

MARAE

Marae is a Spanish brand with over 45 years of tradition in the artisanal production of high-quality boiled wool garments. All pieces are crafted in their own facilities in Zamora, Spain, ensuring meticulous control at every stage of production, from weaving to finishing. The company never uses fur or animal hair in its products, committing to sustainability and animal welfare. At “La Boutique Consciente”, they featured the Marae Wool Jacket, made with 100% Merino Wool and with Bluesign, OEKO-TEX Standard 100, Mulesing free as material certifications.

FARIDE

Faride is a Colombian fashion house with 60 years of tradition. Far from mass production, it creates pieces in limited quantities in local workshops, ensuring quality and social responsibility. Over 70% of its collections are made with pure linen, along with 100% cotton and biodegradable fabrics. Its eco-friendly denim reduces environmental impact through processes that minimize CO₂ emissions and optimize water use. Additionally, the brand uses seed paper tags that are biodegradable and plantable, reducing waste and promoting environmental regeneration. At La Boutique Consciente they featured an denim outfit composed by Top and Pants 97% Eco Denim and 3% Spandex. They have Eco Cycle Recycle by BCI Certification.

NICE HAND

Nice Hand is a women’s fashion brand founded by a mother and daughter. The brand is committed to using certified fabrics such as Lenzing Ecovero, recycled polyester, and deadstock materials. Crafted in local workshops in Spain, their collections ensure fair wages, decent working conditions, and responsible production, avoiding overproduction. The Natalie Blouse and Chloe Skirt featured at La Boutique Consciente were made from 100% eco-friendly viscose Lenzing Ecovero with Certification EU Ecolabel.

VANO STUDIO

Vanó Studio is committed to responsible fashion. Each garment is handcrafted in a local workshop in Madrid, ensuring ethical production and fair working conditions. Their fabrics come from suppliers in Catalonia, Bilbao, and Madrid, and the brand selects sustainable materials such as viscose, recycled cotton, linen, and recycled polyester. The total look featured at La Boutique Consciente is made from 100% eco-friendly viscose Lenzing Ecovero with certification EU Ecolabel.

MONIKA MAXIM

Monika Maxim is an Adlib fashion designer who entrusts all her creations to a single fabric: cotonet, a rustic cotton with a unique artisanal process that forms part of Ibiza’s textile heritage but is at risk of disappearing. Through her work, the designer rescues and keeps it alive. Each garment is handmade and then subjected to a special wash to achieve its characteristic pure white, causing shrinkage of up to two sizes, representing a true design challenge. This meticulous process results in exceptional pieces, enhanced with volume, lace, bobbin lace, and crochet, blending tradition and sophistication in every creation. Everything is crafted by hand in her own workshop in Ibiza. The dress featured at La Boutique Consciente was one of the highlights of the exhibition. Made from Cotonet cotton, is part of the heritage of Ibiza’s fashion World.

CALMAS BY PAZ MAS

Calmas By Paz Mas is a brand of handmade bags, baskets, and totes, where each piece is unique. Founded in 2020 by Paz Mas, this brand merges traditional craftsmanship with sophisticated details, personalizing each design with high-quality materials such as feathers, fringes, gemstones, and ribbons. Based in Tenerife, Calmas By Paz Mas is now expanding its business with the creation of organic cotton shawls, entirely handmade in its own workshop. The shall featured at La Boutique Consciente,  98% cotton 2% polyester, was made by hand during one week by the owner of the brand.

Two Categories, One Vision: Rethinking Fashion

Who Can Participate?

The award is open to emerging designers in the fields of fashion and accessories who successfully merge sustainability with aesthetic appeal. Eligible participants must be based in the EU, Great Britain, Scandinavia, or other European countries. They should have been in business for at least two years and employ no more than 30 people.

Designers can submit their applications from now until February 23, 2025, to become part of the Munich Fashion Awards 2025. More information, including participation requirements, can be found HERE.

First Edition, Two Categories, One Vision

The first edition of the Munich Fashion Award will recognize designers in two categories: Fashion and Accessories. The evaluation process will equally prioritize aesthetic excellence and sustainability factors, including circularity, material innovation, production ethics, and durability.

Prizes include:

• Fashion Category: €25,000 (1st place), €10,000 (2nd place), €5,000 (3rd place)
• Accessories Category: €10,000 (1st place), €5,000 (2nd place), €3,000 (3rd place)

Winners will also benefit from exclusive mentorship programs, licensing support, and communication services to elevate their brands.

A Stage for Europe’s Future Designers

On May 15, 2025, the top five finalists in each category will present their collections to a distinguished jury in Munich. The event will culminate in a glamorous award ceremony, where the winners will be announced.

On May 16, 2025, attendees can engage in interactive conferences, workshops, and masterclasses with industry leaders. The day will also feature a public exhibition, offering fashion enthusiasts an exclusive look at the future of sustainable design.

To ensure transparency and excellence, the City of Munich has appointed two independent advisory bodies: the Advisory Board and the Expert Jury. The Advisory Board includes renowned figures such as: Christiane Arp (Chairwoman, Fashion Council Germany), Lisa Lang (Executive Chairwoman, Open Connector Alliance), and Tobias Gröber (Executive Director Consumer Goods, ISPO Group).

A Global Hub for Fashion’s Future

Texworld Apparel Sourcing Paris once again proved its position as a key global sourcing event, gathering over 1,200 exhibitors from 25 countries at the Paris-Le Bourget Exhibition Centre from February 10 to 12. This year’s edition showcased an unparalleled diversity of textiles, manufacturers, and cutting-edge innovations, all while addressing the crucial challenges of sustainability and responsible sourcing.

The exhibition served as a melting pot for international buyers, connecting them with suppliers from leading textile hubs such as China, Turkey, India, Korea, and Pakistan, while also highlighting emerging players from Africa, South America, and Europe. Notably, Ethiopia, Rwanda, Egypt, and Benin brought forward textile expertise from the African continent, with the introduction of Argentina’s Industrias Textiles Frione —which offers a range of top-quality fabrics while promoting manufacturing processes that are particularly environmentally friendly—marking a milestone in the event’s expanding reach.

Econogy and Sustainability Take Center Stage

The Econogy Tours were very interesting again. In them, we jumped into a future where we can see how the textile industry evolves, through innovative materials, ethical production models and and forward-thinking technologies aimed at reducing resource consumption, promoting circularity, and meeting the demands of conscious consumers. From organic, naturally pigmented cotton to water-saving non-denim fabrics and Africa’s rise as a sustainable manufacturing hub, the sector is moving toward a greener, more responsible future.

The work of the Econogy Tours organizers is essential for both buyers and journalists, as it guarantees the presence of an independent, research-driven body within the fair—one that thoroughly verifies whether a company or product is genuinely eco-responsible. In an era where many companies promote eco-certifications and others engage in greenwashing, this role is more critical than ever. The numbers speak for themselves: out of 1,200 exhibitors, only 47 earned the Econogy symbol, representing just 10% of the total, while most of the exhibitors were showing big displays with certifications, “eco-friendly” and other green claims. This underscores the importance of rigorous verification in distinguishing truly sustainable brands from mere marketing claims.

One of the most talked-about innovations was Ackala Cotton, an organic alternative requiring no dyes or chemicals, offering a breakthrough in responsible textile manufacturing.

Japanese manufacturer Toyoshima captivated visitors with its fusion of traditional craftsmanship and modern eco-friendly techniques, showcasing non-denim materials that use 90% less water. Meanwhile, Benin’s GDIZ garment manufacturing hub demonstrated how Africa’s textile industry is scaling sustainability through locally produced, farm-to-fashion solutions.

Deyao Textile stands out for its commitment to traceability and transparency. The company operates with a highly efficient water treatment system, recycling and reusing 80% of its water while sourcing 50% of its energy from solar power. “Sustainability is about accountability. Our blockchain technology ensures full traceability of every material used,” a Deyao spokesperson explained. Deyao is a licensed partner of CleanKore, a patented sustainable dyeing method. The company’s certifications include: GRS (Global Recycled Standard), OCS (Organic Content Standard), Regenagri, Canopy Green Shirt Program, BCI (Better Cotton Initiative), Oeko-Tex 100 and ZDHC.

As a leading innovator in sustainable denim, NZ Denim focuses on energy efficiency, water conservation, and circularity. “We are pioneering low-impact denim solutions by combining recycled and organic materials with advanced water-saving dyeing techniques,” said an NZ Denim representative. The company’s eco-commitments include water recycling technologies to reduce overall consumption; low-water dyeing methods to minimize environmental impact; and Certified sustainable materials, including GOTS, GRS (Global Recycled Standard), BCI, Oeko-Tex Standard 100, and ZDHC (Zero Discharge of Hazardous Chemicals).

The future of sourcing at the Textile Conference

As the textile industry grapples with the environmental impact of conventional production, innovative solutions are emerging to redefine the sector’s future. At a recent industry conference, experts and manufacturers presented cutting-edge materials and strategies aimed at reducing resource consumption, promoting sustainability, and meeting the changing demands of global consumers.

Ackala Cotton: The Evolution of Denim

One of the most groundbreaking developments in Texworld is Ackala Cotton, a responsible alternative to conventional cotton, which is notoriously resource-intensive. “Ackala Cotton is 100% organically grown and inherently soft. Since it is naturally colored, it requires no water, chemicals, or dye during the fabric manufacturing process,” explained Mr. Najam Us Saquib, a leading voice in Ackala. Historically, Ackala cotton cultivation dates back over 5,000 years, with early varieties grown in South and Central America, as well as Africa and Asia. Ackala Cotton represents a return to these ancient, naturally pigmented varieties, but with modern sustainability improvements.

Ackala Cotton is particularly significant in the denim industry, offering a naturally pigmented brown color without requiring synthetic dyes. “The pigmentation of the cotton depends on the land it grows on” – he added. It won’t be as widely available as conventional cotton and will be slightly more expensive.

Japanese Craftsmanship Meets Modern Innovation

At Booth 3F377, Japanese textile giant Toyoshima, established in 1841, showcased its dedication to blending traditional craftsmanship with modern technology. Ben Kageyama, a representative from the company, emphasized their commitment to sustainability through innovative materials.

Toyoshima’s non-denim fabrics use 90% less water than conventional alternatives. “These fabrics are printed instead of traditionally dyed, which significantly reduces water consumption,” Kageyama explained. Additionally, the company highlighted Wonder Shape, a highly functional, circular knit material that mimics the appearance of woven textiles while maintaining superior flexibility and durability.

Africa’s Role in the Future of Sustainable Fashion

Africa is becoming an increasingly important player in sustainable textile production. Mr. Nikhil Gandhi, Executive Director and Chief Business Officer at Arise IIP, presented GDIZ-Benin, a vertically integrated farm-to-fashion manufacturing center designed to provide ethical garment production.“Africa produces 7% of the world’s cotton, with Benin and Togo emerging as key locations for sustainable cotton production,” Gandhi said. “Our models adhere to the highest sustainability standards, and we’ve already created 30,000 jobs in these regions.”

A major highlight was Pink Mango, a preferred African manufacturer for sustainable global brands. Pink Mango specializes in outerwear and technical jackets, with operations based in Rwanda. They recently announced a strategic partnership with China’s number one garment exporter to the EU, a Fortune Global 500 company founded in 1996.

The Shift in Consumer Behavior: Generation Z & Circular Fashion

M. Jean-Baptiste Andreani, Director of IFA Paris, presented key findings from a study involving over 150 students about their shopping habits. He emphasized the rise of second-hand shopping and circular fashion among Generation Z. “Most of them buy from online second-hand platforms like Vinted or from boutique thrift stores. They understand the meaning of circular fashion,” Andreani noted.

However, a challenge remains: while many young consumers want to make sustainable choices, price remains a barrier. “When asked whether their purchases align with their values, 30% said ‘not enough.’ Why? Because they feel they don’t have the budget to buy what they truly want,” he explained.

He stressed the importance of psychological messaging in pricing strategies, helping consumers understand the true impact of their purchases. “We need to communicate the environmental impact of every product—such as the CO₂ emissions saved—so that consumers can connect their choices to real-world benefits.”

The Trends

Beyond textiles, Louis Gérin, the artistic director of the show, presented Neocene, the trendbook for Spring-Summer 2026, emphasizing a shift towards optimism, holistic design, and a more symbiotic relationship between fashion and nature. The conferences tackled pressing topics, from the psychological factors behind fast fashion consumption to the rising influence of Gen Z and their commitment to second-hand shopping and circular fashion models.

“Creation today can no longer be defined solely by colors and silhouettes—it is everything. We have all the colors, all the materials,” he underlined. “We are entering a new era—a rainbow of colors to help reveal the truth. The difference between AI and reality is becoming increasingly blurred. Yet, we must remain optimistic, even as we recognize the deep darkness within our context.

All Images:
@ Courtesy by Texworld Apparel Sourcing Paris

As the first African brand to be awarded as one of the winners of the BFW concept competition in the BerlinContemporary category, PALMWINE IceCREAM presents with this collection a rich tapestry of emotions and experiences, intricately woven to reflect the many stages that have shaped the designer’s life and artistry. It celebrates pivotal moments, personal milestones, and creative expression: a moodboard of life itself.

Your latest collection at Berlin Fashion Week has generated a lot of buzz. What was the central inspiration behind this collection?

Thank you! It’s been amazing to see the response to the collection. “Life Moodboard” was inspired by time: how we experience it, who we share it with, and the significance of every fleeting moment. This collection is deeply personal, reflecting my own creative and personal journey while also making space for individual stories to unfold.  I wanted each piece to feel timeless yet full of life , like a visual diary of emotions, memories, and transformations. Through a fusion of textures, silhouettes, and craftsmanship techniques, the collection weaves a narrative that honors individuality, nostalgia, and the beauty of evolution.

The silhouettes in your collection beautifully blend urban chic with rural roots. How did you achieve this balance, and what does it represent for you?

It’s about merging worlds : urban energy with the richness of  craftsmanship. I achieved this by blending structured, contemporary silhouettes with raw, organic textures and traditional techniques. There’s a tension between precision and imperfection, which I love, it mirrors real life, where cultures, identities, and histories constantly intersect. For me, this balance represents my own journey. Accra’s vibrancy and Berlin’s edge meet in my work, alongside influences from my heritage and personal experiences. It’s about honoring where we come from while pushing forward, creating something that feels both familiar and unexpected. It’s storytelling through design.

You introduced a unique dye-tie technique applied to leather in this collection. Can you explain the process and what inspired you to experiment with this method?

The process involved working closely with skilled artisans who specialize in traditional dyeing techniques which is not usually used for clothing. Instead of conventional leather treatments, we applied a resist-dye method, which means carefully folding, binding, and immersing the leather in natural dyes, allowing the patterns to emerge organically. Each piece came out with its own unique markings, making every garment one of a kind.

How challenging was it to implement the new dye-tie technique on leather, and what were some of the technical hurdles you faced?

Implementing the dye-tie technique on leather was definitely a challenge, but that’s what made it so rewarding. Leather is far less absorbent than fabric, so achieving rich, organic patterns required a lot of experimentation. Unlike traditional textiles, leather doesn’t react uniformly to dye, meaning every piece had to be handled with precision and care. One of the biggest hurdles was finding the right balance between saturation and durability. Too much dye, and the leather would become stiff; too little, and the patterns wouldn’t hold. We also had to adjust drying methods to ensure the colors remained vibrant while keeping the leather soft.

Your latest collection at Berlin Fashion Week 2025 was a true statement. What was the central inspiration behind it?

My new collection is an ode to transformation—a delicate yet powerful dance between light and darkness, between the old and the new. Inspired by metamorphosis, it unveils an ethereal, galactic, and unstoppable being emerging from the shadows, shedding its old skin to give birth to a curious, fearless new existence.

Berlin is known for its avant-garde and progressive fashion scene. How does showing at Berlin Fashion Week influence your creative process?

Berlin’s avant-garde energy is undeniable, yet my creative process thrives in quiet solitude and nature’s embrace. While many draw inspiration from the city’s pulse, I find clarity in the stillness of expansive landscapes and mountaintop vistas, where the seeds of transformation are truly sown.

For the first time you were not part of the Collective Four. Why did you take the decision of showing independently?

After years of collaborating with established platforms —from my 2011 debut with Mercedes-Benz to my time with Collective Four—it felt like the perfect moment to forge my own path. Embracing independence has unlocked a liberating creative freedom that I’m thrilled to explore with this collection.

Sustainability has always been a core pillar of your brand. How does this collection push the boundaries of sustainable fashion?

Sustainability is at the very heart of my work, and this collection elevates it to new heights. By integrating innovative, eco-friendly materials, upcycling techniques, and conscious production methods, every piece becomes a living testament to ethical design. It’s a celebration of change where beauty and responsibility converge in every stitch.

You’ve worked extensively with innovative materials. Can you share some insights into the fabrics and techniques you used this season?

This season, I’ve once again partnered with Cotonea to harness sustainable organic fabrics that are as gentle on the skin as they are on the planet. These natural fibers, processed without harmful chemicals, ensure both durability and elegance. Moreover, I’ve incorporated upcycled elements—detachable vegan hair pieces that double as hair inserts and sneaker bags crafted from revitalized sample shoes—underscoring my commitment to innovation and environmental stewardship.

Diversity is becoming increasingly important in the fashion industry. How did you approach inclusivity in your collection, both in design and casting?

Inclusivity is woven into every stage of my creative process. From the initial design and pattern creation to the final runway presentation, I envision a collection that celebrates diversity. Collaborating with a beautifully varied group of models ensures that each garment resonates with a broad spectrum of identities, embracing the richness of our differences.

As the industry shifts towards conscious consumerism, what message do you hope your collection conveys about mindful fashion?

At its core, my message is simple: “Less is more.” I want this collection to inspire a deeper connection with one’s wardrobe—encouraging everyone to fall in love with their clothes and wear them until they naturally evolve. True fashion is meant to be cherished and lived in, not merely replaced.

Sustainability is often about longevity. How do you design pieces that are both trend-forward and timeless?

I believe in creating designs that transcend fleeting trends. By fusing innovative aesthetics with timeless silhouettes and sustainable practices, each piece is crafted to remain both current and enduring. This balance ensures that my garments gracefully age in style and spirit—a true testament to the longevity of conscious fashion.

Many brands claim sustainability, but few truly embody it. What challenges have you faced in staying authentic to your ethical and environmental values?

Remaining authentic to ethical and environmental values is a continuous journey filled with challenges. From sourcing truly sustainable materials to ensuring complete transparency in production, every step demands constant diligence. Yet, these challenges only reinforce my commitment to genuine sustainability and push me to innovate further for the benefit of both the planet and its people.

Looking ahead, how do you see the future of fashion evolving, and what role do you want your brand to play in that transformation?

I see the future of fashion as a harmonious blend of creativity and consciousness—a world where inclusivity, sustainability, and innovation lead the way. My brand aspires to be at the forefront of this transformation, continually challenging norms, fostering mindful consumption, and crafting pieces that tell compelling stories of change, resilience, and the ever-evolving beauty of our world.

Desire keeps us alive. That is the main goal of fashion designers, who strive to captivate, inspire, and bring happiness to people through their creativity projected onto objects and clothing. Neonyt Düsseldorf once again inspired us with new collections crafted with love by brands that not only belong to the slow fashion movement but also continuously innovate with new natural materials and silhouettes —sometimes relaxed, other times architectural—creating an eco-conscious style.

Neonyt Düsseldorf knows how to adapt to the times. The new way of shopping goes beyond the traditional fashion fair business, reaching the end consumer through more intimate events held in inspiring venues, turning the shopping experience into something to enjoy and remember. Because simply going out to shop for fashion is no longer enough; now, we seek experiences, the opportunity to learn, and the understanding that our purchases can have a positive impact on the world.

Moving beyond the conventional trade show model, Neonyt Düsseldorf continues to evolve, expanding its reach by blending its core exhibition at Areal Böhrel with the Fashn Showrooms, seamlessly integrating sustainable fashion into the broader commercial landscape. Additionally, the Fashion Aware Club initiative introduced two city-wide pop-up locations —The Store + Sustain at Fürstenpalais Düsseldorf, and Workshops & The Store at Stadtmuseum Düsseldorf—, where the public could purchase eco-friendly fashion pieces and participate in discussions on sustainability in fashion. This innovative approach aligns with the evolving consumer desire for experiential shopping, making sustainability not just a trend but a lifestyle.

Discovered in Neonyt Düsseldorf at Areal Böhler

Fisherman Out of Ireland

The Fisherman Out of Ireland collection is made in Donegal, Ireland using 100% natural fibre yarns, many of which are spun in by the local mill in our village.  They are a slow style brand their inspiration comes from the traditional, Irish coastal fishing communities and the beautiful wild and rugged landscape that surrounds them. “These are pieces that supersede the seasons and are knit to order, we do not hold stock.” – says the brand.

Helena Harfst

The new autumn/winter collection by Helena Harfst emphases their dedication to fashion that can be worn and loved for years to come. This collection features unique designs crafted from eco-friendly materials like hemp and bourette silk, both known for their quality and minimal environmental impact. Hemp offers durability and requires little water, making it a sustainable choice for wardrobe essentials. Bourette silk provides a sophisticated texture while allowing for easy maintenance, making these pieces suitable for both festive occasions and everyday wear. 

The result is a collection that seamlessly integrates style into daily life. “Each piece is produced locally in Hessen, where we collaborate with skilled artisans. One production facility focuses on training young people in tailoring, while another supports refugee women, empowering them through skill development. Our designs include unisex options, promoting inclusivity and redefining traditional gender boundaries in fashion” – declares Anna-Lisa, owner of Helena Harfst. 

Abelone Wilhelmsen

Abelone Wilhelmsen presents a collection rooted in respect for both people and the planet. They source premium natural materials from responsible suppliers, ensuring minimal environmental impact and optimal product longevity. “Local production under fair labor conditions helps us reduce our carbon footprint, while timeless, versatile designs transcend fleeting trends.” – say Abelone Wilhelmsen & Tom Vervoort. By crafting each piece with care, they aim to inspire mindful consumption and a deeper connection to eco-friendly fashion.

Les Racines Du Ciel

The absolute rationalism once described by Romain Gary serves as the foundation for the new collection by Les Racines Du Ciel. In light of the harsh realities of fast fashion, the desire for clothing that is not only aesthetically pleasing but also ethically and environmentally responsible continues to grow. Les Racines Du Ciel’s new collection embodies this very transformation. It stands as a statement against the disposable culture of fast fashion and champions a more conscious approach to clothing.

At the heart of the collection lies respect—for people, animals, and nature. The designs blend high-quality materials with timeless elegance, inviting wearers to discover pieces they will cherish for years to come. Les Racines Du Ciel aims not only to inspire its customers with beautiful fashion but also to create awareness of the true value of clothing. Each piece becomes more than just an item of clothing; it becomes a companion to a lifestyle, a symbol of mindful living.

In this way, Les Racines Du Ciel proves that fashion can be more than mere aesthetics—it can be a poetic act of resistance against a consumption-driven world. As Romain Gary aptly put it: “In a society that is truly materialistic and realistic, poets, writers, artists, travelers, and elephants are nothing more than nuisances.”

24 Karat

Revolutionizing fashion with 24-karat gold accents, this brand prioritizes organic cotton and eco-conscious packaging. Each item is unique, crafted in limited editions of 999 pieces, making it an exclusive yet sustainable statement. “One of the most important factors in our collection is not only the exclusivity of pure gold but also the ecological awareness and impact. Our garments are made out of 100% certified organic cotton and the packaging only contains paper. Even the string of the hang-tag is made out of paper.” – says the designer.

Alpin Lodge

Alpin Lodge brings loden to the city – with looks that suit every occasion. A collection that is characterized by sporty, casual elegance, value and timelessness – not least due to the continuous combination of loden and leather. The collection, which can be worn all year round, proves that Loden has arrived in the city with fresh colors, coolness and glamour – ready to wear.  “The loden comes from Austria, the leather from southern Germany and Italy and production also takes place in the EU” – declares the brand.

Kapire Unikat

This brand breathes new life into discarded textiles, repurposing wool blankets into unique, hand-crafted footwear. Every pair is a one-of-a-kind piece, featuring chromium-free leather lining and two interchangeable insoles for maximum comfort and sustainability.

We repurpose discarded textiles and give them a second chance. Most of the wool blankets we use are made from 100% pure wool. Since each pair is crafted from a different blanket, no two are ever the same—every piece is unique, shaped by the materials available to us.

For added comfort, the inner lining is made from chrome-free tanned leather, ensuring a more sustainable and skin-friendly finish. So, here sustainability meets craftsmanship in a truly one-of-a-kind creation.

Discovered at Fashion Aware Club

With support from Cosh! and the Düsseldorf government, Neonyt Düsseldorf also introduced a Green Fashion Tour, highlighting exceptional brands that exemplify artisanal craftsmanship, ethical production, and circular fashion. Here are standout brands that left a mark on our tour.

Jimu Kobayashi

Jimu Kobayashi is dedicated to crafting ceramics with exceptional durability and timeless quality. Each piece is designed to withstand the wear of daily use and the passage of time, ensuring it remains beautiful and functional for many decades. “By focusing on longevity, I create ceramics that are not just objects but lasting legacies―treasures that can be passed down from generation to generation, preserving their value and significance for years to come.” – the designer highlights. 

280+ The Suncare Project

280+ THE SUNCARE PROJECT is a modular bag design that playfully integrates UV protection into everyday life, making UV awareness both stylish and practical. The bag features a photochromic textile print that changes color to violet when exposed to UV rays, drawing attention to this invisible danger. Its strap includes an integrated UV index checker, offering real-time UV data via a QR code linked to the German Weather Service and practical sun protection tips. By blending aesthetics with functionality, 280+ transforms UV awareness into something visible and relatable, encouraging mindful sun habits—globally, all year round.

Goldfish

The new corals collection from GOLDFISH are 3D printed from recycled ocean plastic waste. “For our new collection, we have exclusively worked with recycled gold and silver from trusted refineries to minimize environmental impact. Old gold and gemstones from our customers are given new life, as we offer them the opportunity to transform their old jewelry into new, personalized pieces. We love incorporating natural and organic shapes into our jewelry designs” – says the designer.  Each design is a tribute to timeless craftsmanship, reinterpreted through a modern, sustainable lens. “With a focus on precision and innovation, our collection stands as a testament to the seamless blend of luxury and responsibility.”

CUTOFFS

Cutoffs manufactures unique high-quality, high end products from remains and refuse material. Since 1987 the cabinet maker Kina and Frank Terhardt from Düsseldorf are specialized in the construction of picture frames. The satisfied clientele list includes many prominent and internationally recognized photographers, artists, galleries and museums. Manual labor and handicraft are the manufacturer’s leitmotifs. From producing countless picture frames a considerable degree of cutoff accumulates. “We think it is a shame to burn or to discard the abundant wooden strips.” – says the designer. 

There is not space for fast fashion

Die wachsende Bedeutung von nachhaltigen Modeveranstaltungen wie der Neonyt Düsseldorf unterstreicht einen entscheidenden Wandel in der Branche. Mit der steigenden Nachfrage nach ethischer Mode, Zero-Waste-Produktion und lokal gefertigten Designs festigt dieses Event seine Position als globaler Vorreiter in Sachen Nachhaltigkeit.

Highlight Image:
© Fisherman Out of Ireland

An educational and motivational experience

Each piece in the La Boutique Consciente (Conscious Boutique) will be accompanied by detailed information about the product and the efforts made to reduce its ecological footprint. This initiative aims not only to showcase collections but also to motivate and educate visitors about the positive impact they can have by choosing responsible products. Additionally, visitors will be able to explore the full collections at the participating brands’ stands and learn more about their stories and processes, deepening their understanding of each brand’s commitment to sustainability.

More than ten brands will participate in this area, reinforcing the strong commitment of this major trade fair to promoting international connections and supporting the national industry. It will be a place where creativity, commerce, and the forefront of fashion and lifestyle converge, with brands such as Alba Conde, Brax Feel Good, Faride, Ikikiz, Ildhorit, Innbamboo The Original, Marae, Monika Maxim, Nice Hand, Perpetummobile, Saint James, Sanvin, Tartaruga, Vanó Studio, and Zahati, among others.

MOMAD will be held to coincide with the Intergift, Bisutex and Madridjoya trade fairs, establishing it as a great meeting point for the lifestyle sector. The Salón Internacional de Moda, Calzado y Accesorios (International Fashion, Footwear and Accessories Trade Show) will be open from 10.00 am to 19.00 pm on 7 and 8 February in Hall 8 at IFEMA MADRID and from 10.00 to 16.00 pm on 9 February.